Download Black Genesis: The Prehistoric Origins of Ancient Egypt, by Robert Bauval

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Black Genesis: The Prehistoric Origins of Ancient Egypt, by Robert Bauval

Black Genesis: The Prehistoric Origins of Ancient Egypt, by Robert Bauval


Black Genesis: The Prehistoric Origins of Ancient Egypt, by Robert Bauval


Download Black Genesis: The Prehistoric Origins of Ancient Egypt, by Robert Bauval

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Black Genesis: The Prehistoric Origins of Ancient Egypt, by Robert Bauval

Review

“Black Genesis offers astounding new insights as Bauval and Brophy forcefully support, with hard data, the radical idea that Egyptian civilization was the outgrowth of a sophisticated Black African culture that existed thousands of years prior to the earliest known pharaohs. Their book is a must read for anyone interested in genuinely understanding the true origins of ancient Egypt and the dynamics of how civilizations develop.” (Robert M. Schoch, Ph.D., author of Voyages of the Pyramid Builders and Pyramid Quest)“Readers of Black Genesis will never think of ancient Egypt in the same way again. Bauval and Brophy make the case that this venerable civilization was originated by Black Africans from the Sahara Desert and that the pyramids, the statues, and the hieroglyphs were the result of their knowledge and ingenuity. The authors trace the series of errors and misjudgments that have obscured the origins of this remarkable civilization. It is time for the record to be set straight, and Black Genesis is the book that may well do it. This is an authoritative, excellent, well-written book.” (Stanley Krippner, Ph.D., professor of psychology at Saybrook University and coauthor of Personal Myt)“In Black Genesis, Bauval and Brophy combined their investigative skills to answer an obvious but often-neglected question, “Who were the ancient Egyptians?” With new astroarchaeological evidence they build a strong case for “The African origin of the pharaohs” and have dramatically altered our understanding of the past.” (Anthony T. Browder, author and independent Egyptologist)“Extremely dense and possibly groundbreaking, Bauval and Brophy make an honest case for a “very different story of the origins of ancient Egypt.” Their scholarship is meticulous . . .” (Publishers Weekly, June 2011)“. . . packed with revelations!” (Midwest Book Review, July 2011)“The tales of the authors’ 2008 expedition and of explorers in the past century add to the enticing read.” (Nexus Magazine, August 2011)“Recommended.” (R. Fritze, Athens State University, Choice Reviews Online, October 2011)“Both authors are highly accredited researchers who have provided an incredibly detailed book examining the connection between the astronomy of the pharaohs and their Neolithic counterparts.” (Fate Magazine, October 2011)“Black Genesis is a captivating, thought-provoking, utterly intriguing read that traces back the origins of the high civilization of ancient Egypt into deepest prehistory. Buckle your seatbelts for a rollercoaster ride . . .” (Graham Hancock, author of Fingerprints of the Gods)

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From the Back Cover

ANCIENT MYSTERIES / EGYPT “Black Genesis is a captivating, thought-provoking, utterly intriguing read that traces back the origins of the high civilization of ancient Egypt into deepest prehistory. Buckle your seatbelts for a rollercoaster ride . . .” --Graham Hancock, author of Fingerprints of the Gods Relegated to the realm of archaeological heresy, despite a wealth of hard scientific evidence, the theory that an advanced civilization of Black Africans settled in the Sahara long before Pharaonic Egypt existed has been dismissed and even condemned by conventional Egyptologists, archaeologists, and the Egyptian government. Uncovering compelling new evidence, Egyptologist Robert Bauval and astrophysicist Thomas Brophy present the anthropological, climatological, archaeological, geological, and genetic research supporting this hugely debated theory of the Black African origin of Egyptian civilization. Building upon extensive studies from the past four decades and their own archaeoastronomical and hieroglyphic research, the authors show how the early Black culture known as the cattle people not only domesticated cattle but also had a sophisticated grasp of astronomy; created plentiful rock art at Gilf Kebir and Jebel Uwainat; had trade routes to the Mediterranean coast, central Africa, and the Sinai; held spiritual and occult ceremonies; and constructed a stone Calendar Circle and megaliths at the ceremonial site of Nabta Playa reminiscent of Stonehenge, yet much older. Revealing these “star people” as the true founders of ancient Egyptian civilization, this book completely rewrites the history of world civilization, placing Black Africa back in its rightful place at the center of mankind’s origins. Egyptian-born ROBERT BAUVAL began studying Egyptology in 1983. His first book, The Orion Mystery, was published in 1994, becoming a number-one bestseller translated into more than 25 languages. His research has been featured in documentaries throughout the world. He lives in Torremolinos, Spain. THOMAS BROPHY, Ph.D., is an astrophysicist who has worked with NASA, including as a member of the Voyager II spacecraft instrument teams. The author of several books, including The Origin Map, and numerous published articles in scientific journals, he lives in Encinitas, California.

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Product details

Paperback: 384 pages

Publisher: Bear & Company (March 28, 2011)

Language: English

ISBN-10: 159143114X

ISBN-13: 978-1591431145

Product Dimensions:

6 x 0.9 x 9 inches

Shipping Weight: 1.2 pounds (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

120 customer reviews

Amazon Best Sellers Rank:

#166,961 in Books (See Top 100 in Books)

Nobody does Egypt like Robert Bauval. Here he traces the ancient origins of the earliest pharaonic civilizations, centering his investigations at a place called Nabta Playa. A deserted stone calendar circle in southern Egypt, miles from the Nile & surrounded by inhospitable desert, marks the location of a once-thriving population of cattle herders milennia ago when the Sahara was a green, fertile plain. Many photos; this book held my interest all thoughout.

Finally the truth exposed. Glued to this book. ROBERT Bauval &Thomas Brophy are on point to shake up the establishment. A new look at African history for all to read .

A question for the authors: how did these cattle-herding pastoralists (a) know about Sirius, and (b) have the knowledge to build the pyramids? (The quality of construction of the pyramids got *worse* as time went on, from extremely good construction at the beginning, whereas the opposite is to be expected for people who are learning how to do something)

A caucasian friend of mine saw the title of this in my office and dismissed it, thinking it was yet another afrocentric rant or something, but I don't collect those. Black Genesis was written by Robert Bauval (he's French/Greek or something like that and born in Egypt) who is a top-notch scholar. The book shows the truly ancient remains of a people who lived and thrived on the African continent during a time period when the Sahara Desert was fertile. Paintings of people and tropical animals on boulders in the currently 100% inhospitable areas of the legendary desert lands, as well as megalithic structures that, as usual, line up with the stars from some ancient date far back on the Precessional long-count calendar. This is the data that goes hand-in-hand with the work of Ivan van Sertima and Cheikh Anta Diop representing more pieces of the puzzle of the mysterious past of the ancient human being.This is actually a wonderful book for people genuinely interested in examining the clues of ancient prehistory, which presents data greatly in need of more dedicated professional archaeologists to build upon who are honest truth seekers who are not half-blinded by institutionalized agendas, and over-biased ideologies to block the way.

This book brought to me ideas that I had not ever considered. Very well written.

It's great when a professional uses his knowledge to uplift and liberate instead of following along with the prejudices and biases of academia's. It's great that Bauval and his team went to the extent that they did to actually produce a factual body of work based on truth and not on lies. White academia need to stop telling lies that black people had no history before our imprisonment. Yes! We are prisoners of war and just because we are on the bottom now due to the societal views that does not mean we always were. We see this being displayed in everyday life. Someone can be wealthy today and one mistake can take it all away and place that once great person in a subservient position. We as people need to learn from history. All great empires comes to an end but the difference between this one and all others is no one will remember this one because it caters to the lowest aspect of mans being.

If you are a person that is on a quest for true knowledge then get this book. Schools really dumb down students and this information Is ignored and covered up. A good read that you will refer back to.

good read!!

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Download The Familiar, Volume 1: One Rainy Day in May, by Mark Z. Danielewski

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The Familiar, Volume 1: One Rainy Day in May, by Mark Z. Danielewski

The Familiar, Volume 1: One Rainy Day in May, by Mark Z. Danielewski


The Familiar, Volume 1: One Rainy Day in May, by Mark Z. Danielewski


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The Familiar, Volume 1: One Rainy Day in May, by Mark Z. Danielewski

Review

“Thrilling and magnetic. . . . . The Familiar: Volume One is a boldly original, gorgeous, and suspenseful work of literature. . . . Thoroughly encoded with the language of our design-conscious, cinema-saturated, tech-centric era. We’re fluent in it because we’re living now.” —Laura Collins-Hughes, The Boston Globe  “A new novel by Danielewski requires a new way of reading. . . . Reading [The Familiar] . . .  as one approaches the pilot to a new TV series, Volume 1 becomes a revelation, a thrilling, compulsive reading experience. . . . A tour de force, less a novel than it is an experience. . . . The next volume—episode—can’t come soon enough.” —Robert J. Wiersema, The Globe and Mail (Toronto)  “Danielewski has somehow created a format, an experience, that mimics the best of the digital future we’ve been told to expect, while exploiting the best of print, that which we’ve been told to mourn. . . . The reader is called upon to commit, to actively participate and engage in the unconventional structure and its relationship to the sprawling, eight-plot narrative, but also to enjoy: as serious as this all may seem, Volume 1 has a playfulness, a mischievousness, not unlike a cat." —Allison K. Hill, Los Angeles Daily News  “As our society gets more technology-weary, it’s nice to see books like The Familiar: Volume 1: One Rainy Day in May break the mold and tell a story in a new and innovate way exclusive to physical pages between two covers.” —Andrew Munz, Planet Jackson Hole (Wyoming)“[Danielewski is] America’s foremost literary Magus. . . . He transmutes the pages of base books into rare new forms and formats. . . . [The Familiar: Volume 1] is a ‘remediation’ of television series like Twin Peaks and Breaking Bad . . . [and also] resembles Altman-inflected movies . . . or the time and place-skipping novels of David Mitchell. . . . I’m definitely in for Volume 2.” —Tom LeClair, The New York Times Book Review“Excellent. . . . It reminds you of the novel’s unknowable potential. Danielewski does this better than anybody. It’s like he crinkles up a page with words and then straightens it out and pastes it into the book, so that only the most important words remain legible, while teasing you to try to figure out the blurry, scarred sentences hiding in the margins. . . . I love Xanther, love her, and I can’t stand the thought of something bad happening to her, and, yes, I’ll keep reading this series as long as her story continues.” —S. Tremaine Nelson, Green Mountains Review“A herculean achievement. . . . The wild visuals render beautifully on an e-reader, but suggest that the medium of physical books is not entirely replaceable. This book may even have a chance to become this age's equivalent to Marcel Proust's In Search of Lost Time. Danielewski's certainly not aiming any lower.” —Zach Borenstein, Everyday eBook“[Danielewski is] the most aggressively avant-garde popular writer working today. . . . The Familiar: Volume 1 is as much a narrative story as it is an experiment in visual and typographical forms. . . . It all adds up to something between a graphic novel and a novel-novel.” —Cady Drell, Newsweek    “I found it helpful to think of The Familiar as less of a ‘book’ in the traditional sense of the word, and more as a piece of experimental visual art. . . . If you’re a House of Leaves fan like me, then this is a book you cannot miss—because there’s simply nothing else like it.” —Jefferson Grubbs, Bustle.com  “The Familiar [is] Danielewski’s most ambitious narrative undertaking yet, which is saying a lot. . . . More than any other contemporary writer, Danielewski has blown the door wide open on novelistic experimentation. . . . [He] has shown, emphatically, just how much formal experimentation can truly enhance a narrative experience. . . . His books are freewheeling adventures into intricate depths and wide expanses, and they’ve helped usher in a new era of the novel.” —Jonathan Russell Clark, LitHub.com“The Familiar is performance art as well as book. . . . The Familiar will be a delight to fans of House of Leaves . . . This, like all of Danielewski’s work, is a verbal structure made for puzzle solvers.” —Lydia Millet, Los Angeles Times   “Incontestably the shortest 880-page novel you’ll ever read. . . . It flies by with the breakneck surrealism of lived experience.” —Los Angeles Magazine   “The House of Leaves author is back with yet another text-art riddled story. The story begins ‘one rainy day in May,’ when a 12-year-old named Xanther is hesitantly studying up on math while riding in the car with her dad. . . . Xanther's story is the nexus for a score of others, and the author's fragmented means of storytelling proves as fresh and compelling as ever.” —The Huffington Post, “18 Brilliant Books You Won’t Want to Miss This Summer”“Most everything about this vast, elusive, sometimes even illusory narrative shouts tour de force.” —Kirkus Reviews (starred review)“This novel goes beyond the experimental into the visionary, creating a language and style that expands the horizon of meaning . . . [and] hints at an evolved form of literature.” —Library Journal (starred review)

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About the Author

MARK Z. DANIELEWSKI was born in New York City and now lives in Los Angeles.

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Product details

Series: The Familiar (Book 1)

Paperback: 880 pages

Publisher: Pantheon; 1st edition (May 12, 2015)

Language: English

ISBN-10: 0375714944

ISBN-13: 978-0375714948

Product Dimensions:

6 x 9 inches

Shipping Weight: 3.6 pounds (View shipping rates and policies)

Average Customer Review:

3.9 out of 5 stars

121 customer reviews

Amazon Best Sellers Rank:

#87,277 in Books (See Top 100 in Books)

First things first - this is obviously not meant to be read on the Kindle. If you do even the tiniest amount of research about what you are going to read, you would know that. However, the 1 star reviews seem to imply that some people randomly buy books knowing absolutely nothing about anything, so it needs to be said. No Kindle.Also, know up front that there are going to be 26 more volumes. So essentially this is a first chapter. There is not going to be much of a clear plot, sometimes it's difficult to know who/what is even talking or what he/she/zhe/it is talking about, and there is certainly nothing in terms of a larger picture painted in this opening salvo.NPR had an article about The Familiar asking if this book will "kill the novel". The article says not quite, but almost. I think this book is worth reading simply because that question is legit - this book (at least to this reader) changes the entire reading experience. The writing is difficult but (for the most part) penetrable if you have patience, and like with all great authors there are times where you just have to accept that you aren't going to know what's going on. Even though it is 800+ pages, it reads much faster thanks to the artistic layout.I read 120 or so books every year - this is by far the most interesting that I've read in the 2000's , at least from a conceptual standpoint. It is more "Only Revolutions" than "House of Leaves" for those familiar with Danielewski's previous works, but is definitely worth the time and effort for the dedicated reader (i.e. don't get it as a Father's Day gift for a guy who reads a Stephen King book once a year - not that there's anything wrong with that!).The

I just finished Volume 1 and so far I'm thrilled. The book is long but a quick read once you start to get the specific stream of conscious style of each of the 9 characters. In that way, it felt like starting a Clockwork Orange 9 times. The visual elements are breathtaking and the small discoveries like the fractal patterns and the recurring pink thread are great touches that are more than just a gimmick. For all the flourishes this is one of Danielewski's less dense, more accessible books (After House of Leaves). I really liked that he carefully crafted characters you can deeply sympathize with and a sense of storytelling where you can just get a hint of where he's going (This is the first of 27 volumes after all). For Danielewski fans, you'll see a lot of allusion to his other works hidden (sometimes subtly, other times not so much) throughout the prose. Ultimately, I gave this 4 stars instead of 5 because of what the author himself said in an interview. He mentioned that he wants this series to be discussed with anticipation over a long run like a TV serial. In that spirit, I have to say I'm not completely sold yet but I'm very excited to see what he can do with such a long format. I'm in for at least a few more books, Volume 2 is already on it's way!

Please understand you will have questions once done reading. You will not understand everything at once, that is not how these volumes are suppose to be. He's only released 5, so this is a commitment, and you will be left wondering and impatiently waiting eagerly for the next volume to be released. It's hard to first understand, seems overwhelming, but there is light at the end of the tunnel. There are a ton of pages, but many of them are visuals and more artistically done for the readers enjoyment and possible confusion. If you are new to The Familiar Volumes, I highly suggest you buy both Vol1 and Vol2 together. It will help you, I promise. Like Danielewski's House Of Leaves, this is an experience. Not a book because you're bored, or think it will be an easy read. So don't start this if you like those kind of books.

If this book is the only chance you give to the Familiar series, you’ve done yourself a great disservice. There is a slow build because you’re getting to know 9 different characters. You may think, “What does a little girl in California have to do with an ex drug addict in Singapore?” You should be wondering that because that means you’ve figured out that these aren’t 9 separate stories. They’re all part of a larger narrative which includes the previews as well. To say The Familiar is about a girl with a cat is certainly true, but it’s also about so much more than that. Each volume weaves more threads into the web of wonder Danielewski has created. This volume in particular demonstrates his astounding ability to think on such a large scale while also paying attention to the finer details as well as creating a stunning visual element to every page. Some of them are nothing short of works of art. This series is well worth the monetary investment as well as the time you will dedicate to reading it. I am optimistic about the entire story being told, and I think that once it is finished, it may just surpass House of Leaves as his best work.

This book will bring you into a whole different world, not unlike our own, and ask you questions you've never thought of before. You can get as lost as you want, or take it for the beautifully crafted work of art it is. Not for those light reading days, but definitely for those who are looking for a whole new way to look at reading. It pushes what a book could be in way that asks the reader to reflect on who they could be. There's also a great reading group, which I think this book requires, to really get at the depth of possibilities of what this book becomes as it is read.

MZD's books are simulatenously a treat and a workout regime for the brain - prepare to feel the burn where you've never felt it before :) I recommend this book (and any of his books really) to readers who like to be challenged, who don't mind poring over a single page for ten minutes, who enjoy complex narratives and ingenious book design/typography - you will be immensely rewarded. (If you enjoy the mindf*ck that is the new Twin Peaks for instance, love deciphering the meaning of each new episode and coming up with your own theories, pick this up and give it a go.)

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